Showing posts with label Power. Show all posts
Showing posts with label Power. Show all posts

Friday, March 20, 2026

Desperate For Hope (A Superman and Fantastic Four Review)

  Over the summer we had two superhero movies come out, from competing companies, that felt a bit different than what has come before. They were colorful, bright, and most glaringly, hopeful. Here in the real world, it’s quite the opposite. People are being snatched off the streets, it’s expensive to do anything, whether that’s get a house, eat, or go anywhere to do anything. We are on the precipice of yet another unjust war. The internet itself, once a safe haven for weirdos and a place full of new and exciting things, has now been so enshitified that it’s almost been rendered useless. So is it any wonder we have become so starved for anything that has a glimmer of hope in it? I think these movies are sign that people are desperate for change, for something to look forward to. And a new iPhone or Marvel movie just isn’t cutting it anymore. Everyone is looking for light at the end of this very dark tunnel. Ultimately, these movies try to put our hopes into two different ideas. The question is, are we buying it?

  Let’s start simple by just talking about these movies individually before we get into their shared themes. I’ll start with the latest from the MCU, Fantastic Four. It’s no secret that Marvel has had a bit of a rough patch lately. Between middling movies full of loose ends and behind the scenes drama making them scuttle their big bad, things have been feeling like the whole thing is on the downward trend (which also explains the seemingly desperate move to bring back RDJ and Chris Evans, but that’s for another time). This is also the proper introduction of Marvels first family to the MCU after two versions of these characters from another studio that, let’s face it, were not great. So there was a lot riding on this film working. And for the most part I think they succeeded!

  Fantastic Four is a bright, fun film set in a very hip retro futuristic 60’s like that of The Jetsons. Every building and piece of tech is just eye candy. I would actually chop off my pinky toe to have the Fantasticar sitting in my driveway. I love the design throughout the film as it really drives home that post war era of optimism we had here in America. This is a time when every sci-fi book was like “by the year 2000 we will live on the moon!”. Meanwhile, here in 2025, most people are barely able to live on Earth. In this alternate 1960’s though, they have a reason other than blind faith in the American dream and a strong urge to stick it to the Rooskies, to believe in a brighter future. They have the Fantastic Four. This family of miracle workers inventing magical technologies from seemingly thin air and bringing long lasting peace to a war torn world through diplomacy. How could you not believe in a bright future with them around.

  Against this colorful and bright backdrop, we have our four leads doing a (I’m gonna try and avoid the word “fantastic” as much possible here) brilliant job playing these iconic characters. I admit, I was a little hesitant about Pedro Pascal as Reed Richard’s. I thought he’s too naturally charismatic to be the often cold and obtuse Mr. Fantastic. But he brought his A game and really dialed into how out of place Reed is with the rest of humanity. I probably still would have preferred a bunch of unknowns for the roles, but the whole cast was terrific and brought a palpable chemistry to the screen. Though, to completely contradict that, Robert Innes was perfect casting as Galactus. That guy just sounds like that all the time. Imagine working a drive thru window and that voice comes over the headset. Crazy.

  While overall I liked the movie, with its beautiful setting, stellar cast and stunning FX (especially the black hole baby scene), it was not without its hang ups for me. Let’s start with that Galactus casting. I just would have liked to have seen more of him. I understand it’s a bit of a heady concept to convey, so they likely chose to focus on Silver Surfer instead, which I get. In fact, that’s probably the right choice even. But I just could have used a bit more of Galactus, maybe talking about how much he needs the baby to be free of his curse, or something. 

  The same goes for Ben Grimm. I wanted more. We get just glances of him in his old neighborhood, kind of flirting with who I assume is Alicia Masters. But we never really dive into it and that seems like a shame. Ben seems to be the only member of the family to want to stay connected to everyday people, even though he is the most obviously outwardly changed by the accident. You could have used him as a window into what the man on the street is thinking about all the other there sci-fi nonsense going on in their world. Overall he just feels sidelined. 

  Another character was also sidelined in this movie, straight onto the cutting room floor. It seems crazy to me to cut John Malkovich out of any movie, but I guess the cut out a story line and action sequence with his character and some super apes. God dammit, I wanna see some super apes fight a stretchy man. I guess, now that I’m writing this, it’s a good sign that my main complaint about this movie seems to be that I just wish there was more of it. I wanna go deeper into these characters and with the way Marvel has been introducing and then seemingly abandoning characters lately, it’s not clear if we will get that chance. I guess we will see what Doomsday has in store. Oof.

  But Marvels first family wasn’t the only colorful superhero spectacular to light up the silver screen with an introductory adventure featuring alien visitors this summer. We also had the much anticipated return of Superman to the big screens and to my cold dead heart. I did not like the Snyderverse. I think those movies sucked ass. His version of Superman was especially grating to me because he just hated being Superman. He hated being a human as well. He was just a bummer. All the while there were amazing portrayals of Superman on the small screen, from Tyler Hoechlin to Darren Criss and Jack Quaid in the DCAU and My Adventures with Superman respectively. So it was extra frustrating to see it be fumbled so hard on the big screen. Just do the cartoons with real people. Seemed pretty obvious to me.

  So I went into this movie NEEDING a different kind of Superman. Because I love Superman. He was the first superhero I obsessed over. According to my mother, I had a Superman outfit when I was a toddler that refused to take off. She would have to trick me out of it to wash it. I needed a Superman I could look up to and fall in love with. And not only did I need this new Superman to work, DC did as well, seeing as this movie was the first major entry into the new, James Gunn helmed, DCU. There were a lot of high hopes hung on this flick.

  Luckily for all of us, James Gunn and company knocked it out of the park. Finally a Superman worth emulating. He’s just a good dude trying to do the right thing that just happens to have god like powers. The story takes almost no time explaining itself and instead just drops you into the colorful, saturated world full of heroes. You know who Superman is already, no need to retread it. As for all the other heroes and villains, I love the fresh approach of just letting watch the character be cool instead of having to build them up through a typical origin story. Just let me Mr. Terrific steal the show and then, when people want to see more, explore the character deeper.

  And steal the show he does! Which is a feat with everyone in the cast shining so bright. The only way you can jump straight into a world like this is if every supporting character feels deep and believable, which this cast does with ease. I mean, we got Metamorpho in this thing and due to the brilliant casting of Anthony Carrian, you love him. But all the supporting characters won’t help if your lead is no good. So once again it’s a relief that David Cornsweat inhabits the character so fully. This is exactly why I’m always harping on about casting unknowns for main roles in these movies. It’s just so easy to fall into his portrayal of the character and therefore the world being showcased, and to root for him the whole way though. He is the glue that holds this magical world together.

  Now, this is not to say that this movie is perfect. I definitely have some nit picks here and there, including with the David Cornsweat portrayal I just praised. Mainly that he is just a little too down home, awe shucks, naive for my taste. Maybe it’s because I’m more Louis Lane with my world weariness but you have to be pretty oblivious to not think people might have a problem with an all powerful being stopping Isrea- I mean a country that is totally not Israel from attacking a country that is totally not Occupied Palestine. *wink* But then again, I completely believe his justifications. He sees himself just like everyone else. We all want to do whatever we can to help and stop the obvious injustices we see in the world. Superman just happens to have a lot more power to take direct action than most of us. I mean, Superman is supposed to be aspirational like that. He is meant to inspire us to see past our cynicism that was born from our powerlessness and to take action in spite of the powers stacked against us. Shit. I think I just talked myself out of this nit pick. Regardless, I still think Ma and Pa Kent have the wrong accent. They’re from Kansas, not Alabama. 

  While I’m nit picking character choices, let me run through some that didn’t quite hit for me. For example, I was only lukewarm on this version of Lex Luthor. I’m more a fan of the cold emotionless Lex. Whose only emotion is anger. A crying, petulant, no matter how accurate it might be to real life billionaires, wasn’t really working for me. But then again, I could probably talk myself out of this one too, since this does seem to be early in his criminal career. Maybe he heads to prison and it hardens him up a bit. I also just did not understand the ongoing bit about every woman fawning over Jimmy. In no way am I saying Skyler Gisondo isn’t a good looking guy. After all, look at this mug. I have no room to talk. But it was just strange how badly every woman was trying to jump on Jimmy. So much so that it’s a pivotal plot point. It was just odd. Other than those small things though, I loved the movie and can’t wait for more.

  Both movies have more than a few similarities. They are both colorful, lighthearted takes on the superhero genre filled with a stacked cast acting their asses off. But the main theme I sensed in both movies was the search for a source of hope in the face of a hard world.  Both films offer up a cast of heroes as beacons for or saviors of humanity. That by following their example there is a way out of this whole mess we’ve gotten ourselves into. Where they diverge however is exactly where we should draw that hope from. 

  Fantastic Four would have us think that hope for the future should be found in two places. The advancement of technology and future generations. This is less than satisfying personally and not just because it’s a bit of a trope. First off, technology alone will save no one. We can all see that right now as tech giants shove psychosis inducing, pedo creating, content stealing AI into every nook and cranny and site and device in the god damn world. That helps no one but about six peoples net worth. Depending on technology to save us without first changing the systems of exploitation and profit seeking will only lead to more efficient exploitation and profit seeking. If we don’t create technology solely for the purpose of uplifting all humanity, it will only be created and used by the already too powerful to hasten our demise. 

  Secondly, as for putting our faith in some future generation solving the problems we’ve either created or ignored is fool hardy at best. It’s a tired trope of family over self that I personally have never understood. *Karen LoveJoy Meme* Putting aside the weird pronataist, you-have-no-value-unless-you-can-continue-your-bloodline of it all that people like JessieGender have gone into better than I ever could (link below), it’s just a bad plan. If you just think about it for one minute you realize, the only way to have a future generation around is to take action now. Has kicking the can down to the next generation worked for us so far? Just look at climate change. The problems just get bigger and more entrenched. I’m not saying we can’t find some hope in the kids. I know I feel a little warm and fuzzy every time I see a young person flick off a cop or make up a new derogatory term for anyone standing in the way of justice. But we can’t rest it all on their shoulders. We must foster hope in them as well by leading by example and passing on what we’ve learned. 

  Superman on the other hand finds its hope in a source I firmly believe in, humanity. Humans are a funny thing. We are capable of such atrocities and yet we can put a lot of time, effort and resources into silly stories about a flying alien strongman. I have a long standing disagreement with my roommate in which I believe humanity is inherently good. I think it’s the system that we live under that sour people and dim the light of their true humanity. If people weren’t rewarded for stepping on each other’s neck to get ahead in the world, or more likely just survive in it, very very few people would do it. Superman is much more aligned to how I see things, that you can find hope by living the best you can now and helping those around you. That millions and billions of these small actions will snowball into a better world. Superman recognizes by the end of this movie that all the power a yellow sun can give is nothing without values worthy or upholding. And he gets his values from his human upbringing and the people around him that connect him as just art of the human race. You don’t have to wait and pray for some tech overlord or future generation to come save you. You have the power to do it now as part of humanity. And if that doesn’t inspire hope, I don’t know what will.

  But we don’t have a Superman and Fantastic Four coming to save us. So we must find hope in each other. Community is more impactful than anything else on combatting that which is the opposite of hope, despair. Collective action will open you up to your own power as well as that of your community so, even when you lose, you will find it hard to not have hope when you start feeling that power. Hope is a dangerous thing. We have been sold hope by many a politician and it has turned out to be false. But if you look at history and your neighbors and yes even the kids, you’ll realize that humans don’t put up with bullshit for long. Better days are coming but only if you fight for them. It’s what Superman would do. Until next time, death to the algorithm.

Saturday, January 4, 2025

The Problem of Power

   This must be the age of villains as we just had not one but two great TV shows focused on some truly evil folks. While very different in tone and look, both deal with the nature of power and what you have to give up to get it. It just be the season of the witch because we are talking about Agatha All Along and it must be winter because, The Penguin? I don’t this cold open got away from me. Just roll the intro.

  Before we get into what these shows have to say in tandem, let’s look at them individually first, starting with Agatha. I admit I was skeptical of this show at first. It’s an odd case of being a spin off of a spin off and those rarely work out. I was afraid it would be WandaVision (which I liked by the way) season two without the main characters. That assumption wasn’t entirely off base. In the first episode we are reminded of the framing device that I liked so much in WandaVision, trapping Agatha in a police procedural. But the show quickly takes a turn into it’s own territory onto a path of being completely it’s own thing. Although, I still don’t think I could recommend this to someone who hasn’t seen WandaVision first. Much like the rest of the MCU, this interconnectedness is both its biggest flaw and greatest strength. It’s the price you pay for continuity story telling I guess. 

  That one small gripe aside, if you could even call it that, I loved this show. To start with the obvious, the cast was stacked and everyone, including folks I was unfamiliar with beforehand, brought their A game. It seems to me it’d be easy enough to just get that Marvel check and phone it in if you’re a big name like Aubrey Plaza, Kathrine Hahn, Patti LaPone, etc. But no one, as far as I could tell, did. They all seemed like they into it and having a ball. 

  As for the show itself, it was so well thought out and precisely written. The twist and reveals were so well sprinkled throughout the show and wrapped everything up so satisfactorily, I was honestly shocked by how expertly all is revealed. From Audrey Plaza being Death to the witches road being a construct of Wiccans mind, it was beautifully executed. This is something I harped on in the last episode of Pitch Please on this channel (which you should go watch) but this is why you need to know your ending when you start. You can tell these creatives knew where they were gonna end up and worked backwards from there to sprinkle in just the right amount of foreshadowing and connections to tease their way to a satisfying prestige, if you will. The divination episode I found to be especially great as it wove its way though the rest of the previous episodes bringing context to something that at first glance seemed only to be a bit about the weird fortune telling witch. You know I liked that an episode because I normally hate tarot and all that other mystic shit. 

  This show is also gay as hell and I love it for that. Not to poke the toxic fanbase or anything but, as a straight white cis dude, I’m so bored of seeing shows about people just like me. Representation matters and not just because it’s good for folks to see themselves onscreen and not just because it’s good for little folks who look like me to see folks different from them on screen and realize they aren’t so different, therein building empathy for others, but also because, rather selfishly, I’m tired of only seeing my perspective on stories. I know what it’s like to be me. I wanna see new angles on the world, both real and fictional. I don’t recall there being a straight white dude in the whole show and honestly, it’s refreshing.

  I think my only nitpick with the show is again not really with the show but with the MCU as a whole and that’s that I like these characters but who knows when we will see them again. It seems reasonable to assume that Marvel is racing towards a Young Avengers, which has probably only accelerated since the Jonathan Majors debacle, but who knows how many years away that is. The MCU just has too many loose ends and cool characters floating around, waiting to be brought back. Because of the break neck pace of the last few years, Marvel has signaled they are gonna slow down and put out less stuff, which just means long times between seeing these characters. I’m very much in favor of Marvels slowing down though. We only had two Marvel related things this year (What If Season 3 is coming soon as well) and both of them are great. Focusing on quality of quantity wins the day again but it seems for 2025 Marvel is ignoring that signal and barreling through with five shows and three movies. I’m excited for them but I do worry. If they have another rough streak as they had recently, t might be the death of the MCU. So cross your stretchy fingers Fantastic Four pans out true believers. 

  Moving from the happy go lucky world of Marvel over to Gotham, let’s talk about this amazing first season of The Penguin. I loved The Batman for nailing the gritty realist take on a character that so many other superhero films fall short of and had high expectations for anything based on it that this show consistently met and exceeded. Much like Agatha, every actors and every department absolutely crushed it. This show truly is a high bar for genre television. Every episode flew by, with no filler, that it really could have been an eight hour movie and. Would have been fully invested. But I’m also one of those sick freaks that likes 8+ hour movies. 

  The star of the show is obviously Colin Ferral as Oz Cobb, which I personally think is a dumb name and not really a change that was needed but whatever, who, under heavy makeup, gives a stunning performance. The whole of the show is set up to portray Penquin as a sympathetic villain only to subvert that in the end by showing his true colors as someone who is truly evil. In fact, that perception of him as an everyman underdog is just another tool he uses to obtain the power he is so desperate for. His speech to the other gang leaders sounds so much like a spiel I’d give to get people to unionize it’s frightening. The way the character uses the truth to weasel his way to power should be studied by organizers so they can keep watch for those that use all the right language but are not actually interested in revolution but just their own personal power. If we can’t recognize people like that, we might just find ourselves and any movements we are apart of in Vics shoes. Unceremoniously smothered once these so called leaders have what they want. 

  Speaking of Vic, what a performance of such a tragic story. Here’s a kid that just wanted a life a little better than he had and Gotham just kicked him down at every turn. Then, just when he thinks he’s found his ticket to everything he wants and he’s traded any morals he had to hitch himself to that horse, he’s dumped like trash, dead in the park. He acts as such a great audience surrogate because he is not interested in power for power sake. He just wants the forgotten people of the city to get theirs and for that, he has to die because the people can never get the power they deserve. If they did, there’d be none left for the Penguins of the world. And I’m sure I’ve said something similar about other shows but, when the girl you’re into and is obviously into you, says to come with her to Cali, you get your ass to Cali. Will Hunting didn’t end up face down in the dirt, did he Vic?

  I think the only real qualm I have with the show is something that has been floating around the internet, the absence of Batman. It didn’t really cross my mind for most of the show, which shows you how engaging it is, until the bomb went off in the underground drug lab. Then I thought, Batman might have noticed that. But then again, as we saw in the preceding film, he’s new at this. Maybe he’s just too busy chasing down small time bliss peddlers to find his way to the big fish in time. After all, he doesn’t yet know the city as well as the gangs if, like in the comics, he left to train for his formative years. So it wasn’t so far fetched that he was no where to be found. It was really strange not to have some interaction with Gordon though. At least a press conference or something. But this is a very small gripe and I better cut myself off here because I could praise this show for hours. 

  I used a word a lot so far in this review and that is because both of these shows ultimately revolve around it, power. Both shows are about villains obsessed with obtaining power at all cost. And no matter how much power they have, it’s not enough as long as someone has more. In Agatha, we she how power affects women. All the witches realize men have to power in society and look for ways to get some back. But as they do, they are punished and cast out from society to maintain patriarchal order. The only one of their coven that starts with power, subconsciously punishes them for obtaining their power, and ends the journey with any power is a man. A gay man, but a man none the less. Some women hope to obtain power to help uplift and protect other women but there are those like Agatha who, although they recognize the power imbalance, still only seek power to hold others like her down. She hopes to become part of the system and not to abolish it. 

  In the end, Agatha doesn’t get what she wants and finds a slight hope of redemption. Oz on the other hand gets what he wants and loses everything worthwhile. He is so blinded by his psychotic pursuit of power that any humanity he has must be killed or locked away. Sofia, on the other hand, is born into that power and thinks she’s above it, that i’s unimportant, until it’s turned on her. Then she realizes just how devastating it can be and even just by association can stain your soul and tarnish your humanity. Even then, she is addicted and tries to use what’s left of her power to escape and get some revenge as she climbs out of the cesspool and back on top. But that stink never comes out. The problem isn’t these people, but instead the systems of power (both in these fictional worlds and our real world) that are inherently based on exploitation. Can power be used for good? Yes, obviously. But only when wielded properly and horizontally. Otherwise it is a corrupting force that harms those exploited by it and those wielding it. 

  Anyway, I should probably wrap this thing up. What did you think of these shows? Excited for more? Comments, questions, concerns, critiques, death threats, they all go down below in the comments. Subscribe and all that jazz and, as always, death to the algorithm.


Desperate For Hope (A Superman and Fantastic Four Review)

    Over the summer we had two superhero movies come out, from competing companies, that felt a bit different than what has come before. The...